From Chapter 2:
It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

From Chapter 5:
Country gentlemen smoked just as much as town mechanics and tradesmen. In 1688 Hervey, afterwards Earl of Bristol, wrote to Mr. Thomas Cullum, of Hawsted Place, desiring "to be remembered by the witty smoakers of Hawsted." A later Cullum, Sir John, published in 1784 a "History and Antiquities of Hawsted," and in describing Hawsted Place, which was rebuilt about 1570, says that there was a small apartment called the smoking-room—"a name," he says, "it acquired probably soon after it was built; and which it retained with good reason, as long as it stood." I should like to know on what authority Sir John Cullum could have made the assertion that the room was called the smoking-room from so early a date as the end of the sixteenth century. No mention in print of a smoking-room has been found for the purposes of the Oxford Dictionary earlier than 1689. In Shadwell's "Bury Fair" of that date Lady Fantast says to her husband, Mr. Oldwit, who loves to tell of his early meetings with Ben Jonson and other literary heroes of a bygone day, "While all the Beau Monde, as my daughter says, are with us in the drawing-room, you have none but ill-bred, witless drunkards with you in your smoking-room." As Mr. Oldwit himself, in another scene of the same play, says to his friends, "We'll into my smoking-room and sport about a brimmer," there was probably some excuse for his wife's remark. These country smoking-rooms were known in later days as stone-parlours, the floor being flagged for safety's sake; and the "stone-parlour" in many a squire's house was the scene of much conviviality, including, no doubt, abundant smoking.